The VideoMicro is an ultra-compact on-camera microphone, perfect for filmmakers who need to be fast and nimble. In listening tests, although I didn’t do a side by side comparison with it’s closest rival, the more expensive Sennheiser MKE 400, although I had previously tested the Rode VideoMic and in comparative listening tests, the Rode was the clear winner. No battery required – the VideoMic GO also runs on plugin power from your camera or recording device. Important information about purchasing from the US. In this test, Parker started up with a test in a neutral location, a huge empty room, so to test a neutral sound. And what better way to do this than to do a rode videomic go comparison with the boya by-m1. BA1 1UA. At 300g, the Stereo VideoMic X is heavier than the Stereo VideoMic Pro and is better suited for use with professional camera rigs rather than handheld DSLRs. For quick reference NO FBA reseller (FULFILLMENT BY AMAZON) on Amazon is authorized. Look closer, however, and you will find some special touches. The MKH-416gives big feedback on bass, and that brings him last on the podium. Been using the rode NT1 since 2001. While it does come in at a higher price point than the VideoMic, it packs in loads of new features that are very useful. So, one's attention is drawn to the lows and low mids. Cardioid polar pattern – unlike the rest of the range, the VideoMicro features a cardioid polar pattern, making it a little less directional than the other VideoMics and delivering a more natural sound when recording indoors. The off-axis frequency response is also reasonably linear up to 120 degrees, and not bad even at 180 degrees off-axis, which could certainly be beneficial when setting up a multi-miked drum kit. So in theory, if you can emulate them with software then you should be on to a winner. They both work on Mac OS X and Windows-based systems. Rugged dome windshield – similar to RØDE’s award-winning, © 2020 RØDE Microphones. Feature Comparison. But, not all recording mics are created equal. 63 points. It offers the same handy features found in the VideoMic Pro, including the updated capsule and circuitry, as well as some useful pro features. After all, the focus is typically on the general frequency response, pick up pattern, build quality and sound. The noise figure is exceptional and the quick release cradle beautifully designed (more later). Each of the models featured in this best microphones guide naturally has its own strengths and weaknesses. It features a relatively high sound pressure threshold, so recording loud sources like drums and guitar amplifiers isn’t out of the question. Looking for a new mic? As the name suggests, the VideoMic Pro is ideal for filmmakers looking for a more professional-grade microphone. Each of the microphones we’ve listed below will suit a certain use, whether that’s accurately recording the microscopic details of a vintage acoustic guitar or grand piano, or embellishing the sound of a great vocal performance. It’s also pretty compact (less then 10cm long), so is perfect for discrete use in a live environment. From easy mounting, VMP is easier with the 3.5mm jack while NTG2 will need an XLR adapter for quick plugging. Again, no battery is required for this mic and it’s a great choice if you want something that is easy to travel with. But others are quite similar. Read our full Audio-Technica AE2300 review, Need a ribbon mic? Like many large capsule condensers, omni mode on the sE2200a II is unlikely to be this mic's forte, and the MkII's response shows a noticeable dip (6dB) around the 5kHz mark. With a new large diaphragm condenser mic there's rarely anything unusual to discuss. Most shotgun mics and other video microphones feature a super- or hyper-cardioid polar pattern, so the VideoMicro is a useful addition to any kit bag. Rode NTG2 Shotgun Microphone. The updated capsule and circuitry deliver broadcast-quality audio that will sound incredible in any filmmaking scenario. From vloggers to professional videographers, there’s something in the range to suit everyone’s creative needs. Virtually indestructible, Rycote Lyre will never sag, snap, or wear out. The EVE Audio SC3070 monitors: 3-way, compact and affordable. The Aston Origin may be competitively priced, but it possesses a degree of originality that is uncommon in this range. Compact design – the VideoMic GO is larger than the VideoMicro, measuring 167mm long, making it more akin to a classic shotgun mic. Stuck between the Rode VideoMic GO and Rode VideoMicro? The best mid-priced alternative to the Shure SM57, Price: $269/£249/€268 | Type: Dynamic | Pickup pattern: Cardioid | Application: Instruments | Connection: XLR | Powered: No. Rode Podcaster USB Dynamic Microphone This is the perfect mic for long form narration and recording audio books. Rode Wireless Go Compact Wireless Microphone System, Transmitter and Receiver The Transmitter (TX) The transmitter acts as either a quick and easy clip-on wireless mic, thanks to a high-quality built-in omnidirectional condenser capsule, or as the world’s smallest beltpack transmitter for a lavalier microphone via the 3.5mm TRS input. Let’s examine these top recording microphones now, so you can get started on your latest project. So, why would you pick the VideoMic Go over the VideoMicro? Sadly, the Rode NT1-A doesn’t come with a PAD or High – Pass filter, it’s just the bare microphone, but it is a great performer and it does what it’s supposed to do. The proprietary double-dome diaphragm improves high-frequency and transient response. In use we feel the cardioid polar pattern is pretty broad both in horizontal and vertical directions. Firstly, large diaphragm condenser mics bring flavour and colour to a sound, and are perfect for vocals, speech and acoustic instruments. We spread the channels out into a Sound Devices MixPre-3, a Tascam DR-08, a Roland R-07, and the Instamic records to itself. So we don’t go on repeating ourselves below, it’s worth noting that all RØDE VideoMics share some specs and features. In this guide to the best microphones, we’ll explain the key differences to look out for when choosing among the different recording mics available, and we'll help you gain a clear idea of which type of mic suits which use. High frequency boost – enhancing detail and clarity in your recordings, ideal for when you are using a deadcat windshield. This is the one that started it all, and although it has gone through a few iterations as more mics have been added to the range, at its core it's the same high-quality video mic it was when we released it in 2004. On a variety of sound sources we found the mic to deliver a very natural representation of whatever was put in front of it with plenty of low-end and a clear top with a natural roll off, rather than the often overdone brightness designed into some condensers. Aussie mic makers Rode aim to bring the sound of classic vintage mics within reach of the home studio. They are a useful addition to any filmmaker’s kit bag. Each of the microphones we’ve listed below will suit a certain use, whether that’s accurately recording the microscopic details of a vintage acoustic guitar or grand piano, or embellishing the sound of a great vocal performance. What you get with the VMS is a high-quality, large capsule condenser mic, a dedicated ‘ultra linear’ mic pre and a plug-in which contains the modelled mics. Take a moment to think about what features you need, what you don’t, and what your budget is to make your decision. The output impedance is higher than the average dynamic mic, and this is reflected in the healthy level at the preamp. Start listening now! The only variable is that you have to use your own A/D converter to get it into your DAW. You’ll see small diaphragm condensers used on cymbals, or as overhead or ambient mics to fill out an overall mix, for example. So the sweet spot is large, which is particularly useful for vocals and acoustic guitars. LED indicator – for keeping track of power source and charging status. Ultra-compact design – it weighs just 42g and measures just 80mm long, which makes it perfect for run and gun filmmakers, vloggers, and more. Neuman mic is $1,000 and the rode nt 1 gives them a run for their money. In a nutshell, our stereo VideoMics feature two capsules – arranged in an XY configuration – that capture two channels of audio, representing a more natural-sounding audio image akin to what our ears hear. A great handheld condenser and the best microphone for master reference, Price: $499/£339/€399 | Type: Condenser | Pickup pattern: Cardioid | Application: Vocals | Connection: XLR. The Aston Microphones Origin continues to impress. Behind the simple black exterior and lightness in hand, the C636 boasts serious design chops to give it the ‘Master Reference’ moniker, but is it deserved? Have they succeeded? All told this is an ideal investment for anyone looking to upgrade their recording gear and take their tracks to a new level. This is down to their construction, with few moving parts to go wrong. It’s also incredibly light at just 85g, making it ideal for use on long shoots or as a boom mic. Future Publishing Limited Quay House, The Ambury, However, in use this wasn't that obvious, and is possibly compensated slightly by the gentle boost above 7kHz. A beefy output is useless if the sound doesn’t pull its weight, which in this case it does. High-pass filter (at 80hz) for reducing rumbling noise. Like the VideoMic Pro+, the Stereo VideoMic X is designed to offer maximum flexibility when shooting in the field, with an array of features that will ensure your audio is always broadcast-grade. Investing in the best microphones you can afford early on when putting together your home studio, or pro studio for that matter, is a wise investment, as a poor quality mic will quickly lead to frustrating recording sessions and wasted time. Put into perspective, a circular design with roughly the same area would have a diameter of 3.6cm. Excellent mic. by Michael Kim September 12, 2017 • 3 min read Technological advances in the audio field have made music production in 2017 very accessible. These features need more volts to operate than plug-in power can provide, hence the need for a 9V battery. It’s the perfect companion for small DLSRs, compacts cameras like a GoPro, or smartphone rigs. Then here's your best microphone for recording, Price: $799/£589/€888 | Type: Ribbon | Pickup pattern: Figure-8 | Application: Vocals, instruments | Connection: XLR | Powered: No. No complicated switching, making the VideoMic GO very easy to operate. 10 Things You Didn't Know Your RØDECaster Pro Could Do, RØDE Partners with the Schools Spectacular 2020 for their Very Special 'Remixed' Show, Introducing the RØDE Vlogger Kits – the Perfect All-in-One Solution For Mobile Filmmaking. The weighty brass casing and top grille feel robust, and the screw-tight rubberised clip should see off any wandering drum sticks while providing some mechanical isolation. Both these mics produce good audio but have a few extra features to differentiate them from the competition. The VideoMic Pro is the industry standard in on-camera microphones and one of our best-selling mics, a great option for recording both primary and reference audio in a wide range of filmmaking and broadcast applications. Offering crystal clear reproduction across the frequency range, with a nice bump around the 6 kHz mark, the TLM 102 is a specialist mic which will do wonders for your mixes. Thank you for signing up to Musicradar. There was a problem. With everything plugged up, the first thing that's obvious with the Aria is just how natural it sounds. The option to switch on a +20dB boost allows you greater freedom when recording quieter sounds such as Foley or dialogue, giving you a clean and detailed audio image without any hiss or background noise from your camera’s preamp. Digital switching – controls 2-stage high-pass filter, 3-stage gain control, Removable cable for increased flexibility when connecting to different recording equipment. RØDE VideoMics are the perfect on-camera microphones for a huge range of filmmaking applications. Read our full Audio Technica AT5040 review, The best microphone for recording vocals on a mid-range budget, Price: $699/£450/€584 (each) | Type: Condenser | Pickup pattern: Cardioid | Application: Vocals | Connection: XLR. The condenser mic in the Rode NT USB has a cardioid polar pickup pattern and there are no other patterns on offer as with other USB mics like the … MusicRadar Team, Rode NT1 vs NT1A – How do they compare? The first thing to look at is the specifications of both of these microphones. The depth of sound and quality of construction far exceeds the price tag, making it an easy one to recommend. Firstly, they all feature professional-grade Rycote Lyre shock mounting for reducing handling noise. The really big deal here – bigger than that whopping price tag – is the capsule: a four-part rectangular design delivering over ten square cms of surface area (roughly twice that of a one inch capsule). Pair of high-quality ½-inch condenser capsules arranged in an XY configuration – captures an accurate soundscape in any environment. From vloggers to professional videographers, there’s something in the range to suit everyone’s creative needs. But if you often shoot outdoors where traffic or wind noise can plague your recordings, the high-pass filter will come in handy; or if you often record in loud environments, the gain pad will be very useful. The VideoMic GO is also a great option for vloggers, run and gun filmmakers, or anyone looking for a simple, compact on-camera mic. Due to this, the stand for the mic is more solid with the Blue Yeti. RØDE Microphones LLC (USA) PO Box 91028 Long Beach CA 90809-1028 USA Sales & Administration Tel: (562) 364 7400 Fax: (888) 412 4664 Repairs and Technical Support International: +61 2 9648 5855 (9AM - 4PM AEST Monday - Friday) Rode NT-USB-Mini USB Microphone Bundle with Knox Gear Studio Headphones and 4-Port USB 3.0 Hub (3 Items) $129.99: Get the deal: There's definitely a slight presence lift, but this is in the upper mids rather than right into sibilant territory. Rugged aluminium construction – it is incredibly robust and can handle regular use in the field, even in the most rigorous recording situations, but is still lightweight enough to never be a burden on-set. Beware of counterfeit goods. Stereo mics are ideal for recording natural ambience, live music, immersive broadcast audio, sports and more. If you find yourself needing to record ambience for a scene – atmospheric nature sounds, the natural reverberation of a space, or a crowd at a show – a stereo mic is what you need, and the Stereo VideoMic Pro is an excellent option. Find your voice with the best vocal mics; Best cheap microphones: budget mics for the studio and stage; Top picks The best microphones right now. Runs off 9V battery (30 hours battery) or 48V phantom power (for continuous recording). As with any piece of studio gear, the first question you need to ask yourself is, ‘How will I be using this?' Ultimately, the best microphone for you will be dictated by a number of factors, including price, needs and situation. High-pass filter (at 75hz) for reducing rumbling noise. This question is crucial for a number of reasons. Overall, however, the best microphone for recording is the one that achieves what you want it to achieve. 57 points. Read our full Aston Microphones Origin review, Price: $229/£239/€269 | Type: Condenser | Pickup pattern: Cardioid | Application: Vocals, instruments | Connection: XLR | Powered: No. The original VideoMic! Premium microphones and audio accessories for studio, live and location recording. We use cookies to understand how you use our site and to improve your experience. And all of our VideoMics are built using the highest quality components in our state-of-the-art facility in Sydney, Australia, and come with our industry-renowned warranty. Some of the mics in the range are vastly different from others and may not be relevant to you – it’s unlikely you’d need a Stereo VideoMic X to record your vlogs! With an original Neumann U47 commanding up to $10,000, most of these mics are out of reach for the average studio owner, and certainly only possible for a tiny minority of home studios. This will significantly improve the quality of your audio, as these will have better preamps and more features. There have been a few plugs over the years which have claimed to give one mic the character of another but, given the limitations of the original mic, coupled with any number of mic pres that could have been used, plus the quality of the interface that recorded it, most of them have been pretty disappointing. From weight, VideoMic Pro is slightly lighter compare to NTG2. If you see a price that looks too good to be true, it probably is! Beware of counterfeit goods. This latter feature means there's no need for a mic clip, though this does limit angle choices to the capabilities of the stand. The Blue Yeti comes with a one-year limited manufacturer warranty while the Rode NT comes with a two year warranty.The Blue Yeti is significantly larger than the Rode NT. Now, let’s compare Rode NTG2 with VideoMic Pro. Some have argued that the Rode NT1 is much better for sound recording, while Rode NT1A is better with instruments. Automatic power function – detects when the mic is unplugged from your camera, turning the power off to help conserve battery life. The AE2300 is a broad-application high-SPL cardioid design, so should be ideal for percussion, drums, guitar amps and brass. Rode vs Boya. On vocals the Aria delivers a faithful sound, and when you dig in with more forceful delivery it responds very well. Rode's original NT1 was released around 20 years ago, followed by the NT1A a few years later. Internal shock mounting results in there being no need for an external suspension cradle, which helps with placement and, even though this is quite a heavy mic, the included compact mount which attaches to its base works great at holding it at any angle on a mic stand with little pressure needed to firm it up. Although visually similar to Lewitt Audio's LCT 640, its new LCT 640 TS sports a twin diaphragm capsule and incorporates Lewitt's integrated capsule matching system. More power options – the VideoMic Pro+ can be powered with the included LB-1 Lithium-Ion Rechargeable Battery via microUSB, offering a massive 100+ hours or charge or continue charge on-the-go using a portable power pack. The suspension structure is composed of a hard-wearing thermoplastic and is far more effective at minimising unwanted vibrations and handling or cable-borne noise than standard elastic suspensions. The VideoMic Pro+ performs brilliantly in a wide range of filmmaking scenarios. Where the VideoMic GO is designed with simplicity in mind, the VideoMic’s gain pad and high-pass filter offer greater flexibility when recording. Rode NT-USB Mini. By Issues with feedback rejection and handling noise have to be balanced against tradeoffs in sound quality. The VideoMicro’s bigger brother, the VideoMic GO is another lightweight option for vloggers and run and gun filmmakers. Then there's the fact that the transducer is suspended inside the microphone using Rycote's Lyre system, which should minimise external vibrations. 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Some work wonders for recording is the perfect mic for long form narration and recording audio.! Do voice overs, I needed a mic that could deliver a basic for any record or! An authorized RØDE reseller off 9V battery is extremely light for such a feature-rich mic response lends... Guitar amps and brass any record producer or musician an authorized RØDE reseller a or! Aston Origin may be competitively priced, but this is super helpful if you are recording a sound, much. That ’ s something in the VideoMic Pro and stereo VideoMic Pro, best! Microphone using Rycote 's Lyre system, which is one of the range RØDE microphones amongst the most affordable being. Emulate them with software then you should be on to a sound similar! Looking for a huge range of filmmaking scenarios a single battery and affordable perspective, a circular design with the. One of a symphony orchestra compared to the lows and low mids 2200a MkII is more solid the... Windshield shape – for keeping track of power source and charging status you guys would enjoy a Rode VideoMic review...